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    <subfield code="a">Lepore, Jill,</subfield>
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    <subfield code="a">The deadline</subfield>
    <subfield code="h">[BOOK] :</subfield>
    <subfield code="b">essays /</subfield>
    <subfield code="c">Jill Lepore.</subfield>
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    <subfield code="a">xxii, 617 pages :</subfield>
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    <subfield code="a">Includes index.</subfield>
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    <subfield code="a">Prodigal daughter -- Misjudged -- Valley of the dolls -- Just the facts, Ma'am -- Battleground America -- The disruption machine -- The rule of history -- The parent trap -- The isolation ward -- In every dark hour.</subfield>
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    <subfield code="a">Arriving at The New Yorker in 2005, Jill Lepore, with her panoptical range and razor-sharp style, brought a transporting freshness and a literary vivacity to everything from profiles of long-dead writers to urgent constitutional analysis to an unsparing scrutiny of the woeful affairs of the nation itself. The essays collected in The Deadline offer a prismatic portrait of Americans’ techno-utopianism, frantic fractiousness, and unprecedented―but armed―aimlessness. From lockdowns and race commissions to Bratz dolls and bicycles, to the losses that haunt Lepore’s life, these essays again and again cross what she calls the deadline, the “river of time that divides the quick from the dead.”</subfield>
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